Curators' Pick

Dan Kennedy / Dr. Erosion | Animations, 2019 - 2022
An excerpt from Drawing Time, 2020

Dan Kennedy / Dr. Erosion | Animations, 2019 – 2022

I’ve always been a fan of animation in its many forms (I am a member of Gen X, so Saturday morning cartoons shaped me, but I also remember watching Science Ninja Team Gatchaman – and the butchered Western version Battle of the Planets when small, and Akira [アキラ] is another seminal experience, for me, when young). 

Speaking as a more mature viewer, The Brothers Quay’s Street of Crocodiles (1986) is something I can watch over and over: and recently I rediscovered the 1986 animation The Mysterious Stranger, from the larger film The Adventures of Mark Twain (that vignette is based on Twain’s ominous story of the same name). The shifting mask of Satan, in that claymation, disturbed me as a child and still horrifies me now. Perhaps, with stop action animation, there’s that same ‘perversion’ of the human body that we see in work with dolls, as I touched upon when responding to Gabrielle de Montmollin’s Weird Baby World installation. 

When I began researching Dan Kenndy / Dr. Erosion’s work, I was mostly familiar with his two dimensional ‘still’ artworks, but soon became engrossed with his short ‘films’. Drawing Time, Cats Dream of Water, Where is the Blue Fairy? – and many others – are brief visual anecdotes, amusing and disturbing simultaneously. 

The images below are teasers for the longer works, which can be enjoyed here (works from 2019) and here (works from 2020 – 2022).

Kennedy’s aesthetic is ghostly ethereal and densely complicated, pulling upon his continuing “explorations of commercial culture or as he refers to it, ‘the commercial unconscious”.” (from here) There are hints of Hieronymous Bosch in these brief vignettes from Dr. Erosion / Kennedy that are engaging but also eerie. 

When I’ve written about abstract painting I’ve often stolen and shared an idea from art historian Julian Bell: ‘In other words there was no prior context to the painting itself. The viewer’s eyes would submit, and the painting would act.’ Kennedy’s works are often short, and this makes them even more focused – like a sharp taste, where more would be too much. 

Dan Kennedy / Dr. Erosion was also a previously featured Artist You Need To Know in AIH Studios’ continuing series. That can be explored here.

IG: @dr.erosion
https://www.dankennedy.ca/
More animated works from Kennedy / Dr. Erosion can be found on VIMEO.

~ Bart Gazzola