Curators' Pick
Guiseppe Veneziano - May 26, 2021
Guiseppe Veneziano, Il silenzio dellβInnocenzo, 2011
To call Guiseppe Veneziano a controversial artist is an understatement. His more challenging works have garnered him fame and censorship, but often his pieces about Koons or Hitler are more stylish provocation than substance, like a child learning a new profanity. But the work Iβm sharing today by Veneziano builds upon past artists whose portraits, centuries or decades later, still unsettle us. That this image is less trite and exists more so in the space where art, or art history, can be both subversive and yet direct, is why I consider it worthwhile. ππ π΄πͺππ¦π―π»πͺπ° π₯π¦ππβππ―π―π°π€π€π¦π―π»π° (2011) appropriates Spanish painter Diego VelΓ‘zquez Portrait of Pope Innocent X (c.1650), but with the addition of the βmouthguardβ, so well known to us from Hannibal Lecter. ππ π΄πͺππ¦π―π»πͺπ° π₯π¦ππβππ―π―π°π€π€π¦π―π»π° has more in common, perhaps, with the painting Study after VelΓ‘zquez’s Portrait of Pope Innocent X (1953) by Francis Bacon. My own history brings to mind Metis artist Michel Boutinβs amusing and disturbing painting from his Great King Rabbit series: one of his βrabbitsβ is in papal drag, looking feral, with large teeth, the better to eat you with, my dear (like the skulls of the victims that adorn his throne, with a paw richly adorned in rings, another gripping a stack of cash).Β
As an Italian, Veneziano is perhaps more familiar with the history of the papacy than most, and thus he offers a contemporary reimagining of the pontiff. From the swaddled self assurance of power manifest in Velazquezβs Innocent (who was a shrewd politician), or Baconβs Pope, whom art critic Arim Zweite described as having βa sinister manner, in cavernous dungeons, afflicted by an emotional outburst and devoid of any authority”, Veneziano offers one who might consume us, alluding to a pop culture serial killer both βadmiredβ and abhorred. Veneziano might be describing the papacy itself: after all, itβs rumoured that the decadent Borgias, when one of them found themselves in the throne of St. Peter, asserted that βGod has seen fit to give us the papacy, we must see fit to enjoy itβ….~ Bart Gazzola