In: Female Canadian artists
Tangible Stories | Leslie Love exhibition at The Old School House
September 27, 2023Tangible Stories | Leslie Love exhibition at The Old School House
I run a medium sized arts institution in a century old building, in the oldest postal code in Canada, in a sleepy town with one set of stoplights, where Leslie Weigand Love presents Tangible Stories, an exhibition that alchemizes grief.
With such a direct and forthright conversation about life, and all the characters that weave in and out of the artists narrative, Tangible Stories bring us a capacity to understand how we can move grief : that cheese-grater heart feeling – the learning of a self anew without that physical presence of one who has passed, by drawing close the echoes of community and intergenerationality. A show created in conjunction with her deceased father, Love shows us a knowing of proximity that moves beyond death while honouring mystical answers, and the work is a multilayer practice in salvaging of family objects, repositioning how we examine daily work, and reclaiming it with a fresh contemporary take on materiality.
The repeated sunflower theme throughout the exhibition, the artist’s sunny disposition, the acknowledgement that life is a circle with petals, not a half moon horizon. A full cycle of raising children as we are raising ourselves, and with the knowledge of family and what came before, using discarded old signs silkscreened by an uncle, as substrate for paintings based on her late fathers photographs.
Ripped up mechanical manuals become petals, paint made with metal fittings from his welding shop, a repurposed welding visor that contains images of his band, an inner/outer life many artists and creatives straddle. The work we do from our hearts welded to the work we do for a paycheck to feed and provide and clothe those we love.
Remnants of her family’s work jeans ripped and braided into a rug. The mythologies we ascribe to as families as we create from our familiar collective memory – what/how we remember as small eyes, looking up to characters and personalities our parents know. A troubled band mate asleep in the coat room after a big party, the first day of moving into a new home that directly echoes the age of Love’s child when she moved back to the property she grew up on- the exhibition unfolds in thematic ripples.
Gifting the viewer with a unique and familiar feeling, how perspective shifts with time and age and the acknowledgment of vulnerability, how the back of a van was used for childhood camping but also was housing a dream of touring with a band, imagery of her parents eyes directly across from a mirror that reflects the viewers own.
I suppose it all comes back to Love, how aptly named, to bring forth so much compassion of self, honour an alchemy of grief, to show us that we can process loss in the context of community and family. That the work of materiality and re-purposing vitality, allows objects to incarnate new meaning and purpose in a cohesive beautiful exhibition of work.
This exhibition runs until October 28th, 2023, and is viewable at The Old School House Arts Center, on the unceeded territories of the Qualicum First Nations.
https://www.theoldschoolhouse.org/2023-leslie-love
~ by Guest Curator Illana Hester
Yuka Yamaguchi | Inseparable | 2006
July 14, 2023Yuka Yamaguchi | Inseparable [離れられない] | 2006
If there is love, smallpox scars are as pretty as dimples.
(Japanese proverb)
There is a simple elegance to Yagmaguchi’s work that sometimes belies the visceral content. I was lucky enough to experience her work in person, in an exhibition years ago that purported to showcase contemporary Saskatchewan artists. There were too many artists in the show, some of middling ‘quality’, but Yamaguchi’s unique style and subject matter was a high point of that exhibition.
Her use of very simple tools is perfectly matched to the illustrative nature of her images, which are as much about storytelling as a disciplined but playful aesthetic.
The title of this work can also be translated from Japanese as ‘Can’t Leave’ : but I don’t interpret that in a negative context, and still read this work as a more bodily or corporeal valentine’s card. The rawness is just another way of depicting the intensity of the feelings of being ‘inseparable.’
Yuka Yamaguchi is a self-taught visual artist from Kobe, Japan who has lived in Saskatoon since 2005.
Colour pencils and paper are her preferred medium as these tools allow for strong colors even though they are fragile and delicate. Yamaguchi “draws intuitively as she sees an image appear on paper and keeps adding images like a puzzle.”
More of Yuka Yamaguchi’s artwork can be seen here.
~ Bart Gazzola
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Florence Vale | Selected Drawings & Verse, 1979
November 3, 2022Florence Vale | Selected Drawings & Verse, 1979
Published by Aya Press, Toronto, Ontario, Canada, 1979
My love created
something more real than you are
how disappointing
Florence Vale was an artist influenced equally by surrealism, expressionism and cubism, melding these sometimes disparate movements into unique works. “I paint what I dream,” Florence Vale (1909 – 2003) stated, and the late art historian Natalie Luckyj offered that “Her art was a world in which fantasy and reality are interwoven to create a private and secret environment.”
She published several books of her writing intermixed with her artwork: in this slim volume, the drawings are linear and simple, and often erotic. The text alternates between a light-hearted salaciousness and more stark, desolate meditations upon love.
Vale was a previously featured artist in AIH Studios’ ongoing series of Artists You Need To Know. That can be enjoyed here, where you can see more of her artwork.
A light went out
and I can’t turn it on
the dark is frightening
engulfing
temptation is rife
a momentary relief
leaving regrets
and the pain is there still
but deeper now
despair strains the heart
longing is agony
God’s love cannot compensate for yours
This is not an easy book to find, though you may be able to procure it online through spaces like this one. But – as I so often do – I would suggest your local library, or a local second hand book store, as they have been – and continue to be – treasure troves of fine art books. I discovered this book in the library at AIH Studios, but also have a copy of another of Vale’s publications of prose and pictures that I bought at an artist run centre’s ‘yard sale.’
I must also inject that there are too few collections of artists’ books and publications that are accessible to all, in gallery and museum spaces, and this is an unfortunate consequence of the prevalence of digital spheres, now….
~ Bart Gazzola
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