Kary Janousek - September 7, 2021
There is an ethereal look to wet plate collodion photography that is difficult to describe. It’s no wonder that people thought that early photography was a method to steal the soul of the sitter; as you can recognize the individual, but they look detached, disconnected. The camera seems to catch something more than just the image of the person… it catches their essence.
The reason for this is that these images are primarily formed by collecting the UV light radiating from the subject, a light that is invisible to the naked eye. Kary Janousek (one of 4 of the “Dakota Revivalist Photographers” using wet plate collodion in North Dakota) uses this effect to beautiful ends. Fire Caught and Portrait of an Artist (Franklin Ugochukwu) are perfect examples of the process. Many of Kary’s images have spiritual undertones that are served well by the detachment. The images are of flesh and blood seem to transcend the glass plates they are formed on.
Based in Fargo, North Dakota, Kary is likely one of the only wet plate photographers ANYWHERE with a store front enterprise… walk in to her incredible studio in the historic center of town and you can have a plate made on the spot! Recently she has started experimenting with different types of glass, creating completely unique works of art.
You can find Kary Janousek at https://highhatportraiture.com and on IG @highhatportraiture
Shane Balkowitsch is another of the Dakota Revivalist Photographers and has been previously featured on curated.
~ Mark Walton