alternative process photography

Alina Chirila – Femme Folks Fest 2022 Repost

March 13, 2022

Alina Chirila is an experimenter. Never one to follow a rule book, she will learn the fundamentals of a process and then play with ingredients, timings and formulas until she gets exactly what she wants.

Homage II

April 20, 2021

Angela Reilly’s Homage II was one of those magical experiences where art can just overwhelm you. Sitting in a pub in Glasgow on my first night ever in the UK, a series of 5 portraits hung around the room had my full attention. From a distance I thought I was looking at photographs, but close up, it was so much more. You can practically see the blood coursing through the swimmer’s veins trying to warm her up. Angela won the National Portrait Gallery’s Portrait Award in 2006 and shows regularly in the UK.

You can find Angela on Facebook, and on Instagram.

~ Mark Walton

Prairie Gothic

April 20, 2021

George Webber
Rocky Mountain Books, 2013
$50.00 CND

If I was asked to pick 1 book of Canadian photography to be on a desert island with, it would be George Webber’s Prairie Gothic. I was lucky enough to be in Calgary when George had an exhibition at the small Art Gallery space downtown in 2008. The work, much of it from this book, changed me. Much like Walker Evan’s photographs in Let Us Now Praise Famous Men and the American south of the depression era, Prairie Gothic is a momentous testament to the landscape and people of the Canadian West.

georgewebber.ca

~ Mark Walton

IOWA

April 20, 2021

Nancy Rexroth
University of Texas Press, 2017
$55.95 CND

This reprint of Nancy Rexroth’s seminal survey of images, taken with a toy Diana camera in the 1970’s, influenced a wide array of photographers, including Sally Mann, who referenced it as an inspiration in her book Sally Mann: A Thousand Crossings. Anyone who adheres to the principal of “less is more” needs to buy this.

nancyrexroth.com

~ Mark Walton

Fractured Flag

April 20, 2021

Amy Weil’s Fractured Flag is an encaustic piece steeped in the tradition of Jasper Johns and the protest movement of the 1960’s. It caught my eye immediately as a testament to the events (and those leading up to them) of January 6th. Weil acknowledges “Whenever I put these colors together, it feels political. I don’t often pair them for that reason.”

You can find Amy on Facebook, on Instagram and at amyweilpaintings.com

~ Mark Walton