In: marker art
Stéphany Gagnon – Cinéma / Cinema – Femme Folks FestMarch 15, 2022
Stéphany Gagnon | Cinema
I am of an age where I remember receiving a copy of the Canadian Children’s Annual every year for christmas from my parents. I recently purchased a used copy of the 1976 version, the original lost long ago during a past relocation between cities. These books contained what were among the first artworks that I ever inteacted with… in 1975 with a cover by William Kurelek, in 1976 by Lynn Frank (Lynn Johnston of For Better or For Worse fame), in 1977 by Toller Cranston and in 1978 by Ken Danby. These were not lightweight artists. Each were on their way to becoming, or already were, prominent Canadian artists.
Leafing through, I was pleasantly surprised at the memories that were brought back by the illustrations in the book… I remembered every one of those images very clearly. Not only the images, but memories of the rooms, emotions and peoples that are forever tied to those images sprang my mind. It was an like instant recall machine.
The illustraions and paintings of Montreal’s Stéphany Gagnon seem to me to have a similar magic to them. Gagnon’s work is deeply personal, with great attention to detail. It can be ethereally dreamy, but also lucid dreamy, as shown by Cinéma (above) and Lemonade Stand (below). Both seem to tug at places in your brain, looking for memories to associate with them. They are in some sense, lost art, looking for a home.
You can view (and purchase) more of Stéphany’s work on her Instgram page @stephanylitchi.
~ Mark WaltonRead More