In: Rita Godlevskis
Rita Godlevskis – Spotlight
November 12, 2021× × Your browser does not support the video tag. Read More
Shelagh Howard
March 16, 2023Shelagh Howard | Paeonia Officinalis alba plena
“Genus/species” is a body of work that explores the invisible, all-encompassing power of names, labels, and language.
In 1735, Carl Linnaeus published “Systema Naturae”; his system for identifying and classifying the natural world, still in use today. Names have power.
To name something is to define it, to acknowledge its existence as unique and separate from any other thing. Language informs people whether they are safe and belong. Or not. Cruel words leave hurts in hidden places, removed from easy healing. Words can stigmatize those who are different, marginalize those who need uplifting, dehumanize populations whose needs are inconvenient to those in power.
In “Genus/species”, in lieu of their names or other descriptors of the model pictured, the images are identified by the taxonomic names of the flowers they hold, harkening back to botanical illustrations and Linnaean classification.
Without the backdrop of easy identifiers or assumptions, this work spotlights the exploration of concepts including, beauty, body image, intimacy, loneliness, vulnerability, isolation, and connection through the expression of human flesh.
Shelagh’s work with the male figure explores the rarely seen perspective of the male nude through a woman’s eyes—one that challenges traditional, toxic masculinity in favour of a viewing experience that is genuine, curious, human and humane.
This deliberate conceit in labeling by the artist forces the viewer to decouple easy assumptions from the earthly flesh on display. There are no quick judgements to be made; only questions that unfold in the liminal space between the seen and the unknown: Should the subjects be named or otherwise identified? Would doing so shift our perceptions? Is it our right and our role to cast their shadows into the light for our own comfort? A picture may be worth a thousand words—or a single name—but who is to say which words are right and true?
~ Rita Godlevskis
Read MoreLaura Jones – A Life in Photography – Femme Folks Fest Special
March 16, 2022Laura Jones A Life in Photography ~ Laura Jones The COVERT Collective is pleased to be participating in Femme Folks Fest 2022.... Read More
Laura Jones
March 8, 2022Laura Jones A life of work: Activism and advocacy through the lens of a camera Baldwin Street Gallery Photographer, community activist,... Read More
Stéphane Alexis’ Chains & Crowns
January 23, 2022Stéphane Alexis’ Chains & Crowns Rita Godlevskis Stéphane Alexis from the Chains & Crowns series, 2020 It is clear, even at... Read More
Saskatchewan Book: Photographs by George Webber
December 3, 2021Saskatchewan Book: Photographs by George Webber
Text by Lorna Crozier, Hardcover, 2020, 320 pages, $45.
Intentionally or not, the photographs George Webber made of rural Saskatchewan over the course of 30 years form a landscape typology. Beautifully portrayed in colour, his eye returns again and again to familiar prairie themes that invite comparison: faded signs, buildings in need of TLC (or more), and details of abandoned items left to decay. Although the particulars may change from scene to scene, there is an unavoidable thread that runs through the book: the wide-open skies of the prairies might go on forever, but traces of human settlement fade. You would not guess from Saskatchewan Book that the province has cities or that its population is growing. Instead, with every frame, Webber evokes memories of a way of life in a countryside eclipsed by urban living. It is an affectionate lament for the past.
Saskatchewan Book: Photographs by George Weber can be purchased here, at rmbooks.com.
Image + book review by Alan Bulley / @alanbulley
~ Rita Godlevskis
Read MoreISABELLE HAYEUR: Monograph
November 2, 2021ISABELLE HAYEUR: Monograph
By Mona Hakim, Peggy Gale, & Ann Thomas
Hardcover, 2020, 360 pages, available from Les éditions Plein sud
Texts in French and English $70 + Shipping
Committed to environmental causes since the 1990s, Isabelle Hayeur takes an acute critical look at the changes in our ecosystems caused by the devastating impacts of massive urbanization and industrialization on our territories.
This monograph, the most exhaustive publication to date on this artist’s work, leads us to the heart of her creative activity. Bringing together numerous visual documents, from her composite photo-graphs to portraits of citizen gatherings and activist groups by way of videos, installations in public spaces, and reflective texts, this richly illustrated book explores the vast production of an artist who has gained recognition in the contemporary art world, in Quebec and internationally. The texts present the reader with enlightened insights into the artist’s various accomplishments.
Read more about this monograph and order it here.
This recommendation appeared in the Fall 2021 – ECO ISSUE of PhotoED Magazine. If you’re looking for more Canadian photography inspiration check out PhotoED Magazine, in print + online https://www.photoed.ca
~ Rita Godlevskis
Read MoreForest for the Trees – Rita Leistner
September 16, 2021Rita Leistner
Forest for the Trees
Dewi Lewis Publishing
Rita Leistner’s latest, Forest for the Trees, is a feature documentary film and a book (published by Dewi Lewis UK), based on Rita’s fine art series The Tree Planters and Enchanted Forests, represented by the Stephen Bulger Gallery.
Rita is an award-winning multi-media artist and documentary filmmaker with a history of using photography and film to create portraits of communities in extreme conditions —such as soldiers in Iraq, female patients at psychiatric hospitals in wartime, and women wrestlers in the United States — exploring themes of purpose, struggle, and belonging.
Forest for the Trees is the story of the vast landscape of clear-cut logging and reforestation as experienced from a community of a hundred tree planters, tree planting by hand in remote locations in Canada.
Planting trees one at a time is the overarching metaphor of how we can achieve things we think are impossible: reforesting the earth one tree at a time, getting through life’s challenges one day at a time, and making a film one picture at a time.
www.forestforthetreesdocumentary.com
This recommendation appeared in the Fall 2021 – ECO ISSUE of PhotoED Magazine. If you’re looking for more Canadian photography inspiration check out PhotoED Magazine, in print + online https://www.photoed.ca
~ Rita Godlevskis
Read MoreSage Szkabarnicki-Stuart
June 10, 2020What is not to love about photography in it’s “purest” form (ie: without photoshop tricks)?
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