In: curatedincanada
Renée Mathews: Fluidity and Intuition – Femme Folks Fest Repost
March 18, 2022Renée Mathews: Fluidity and Intuition by Glodeane Brown, Guest Curator SECRETS by Renée Mathews The COVERT Collective is pleased to be... Read More
Maria Simmons – Fermentation of Ideas – Femme Folks Fest Special
March 17, 2022Maria Simmons Fermentation of Ideas The COVERT Collective is pleased to be participating in Femme Folks Fest 2022. Maria Simmons is an eclectic,... Read More
Laura Jones – A Life in Photography – Femme Folks Fest Special
March 16, 2022Laura Jones A Life in Photography ~ Laura Jones The COVERT Collective is pleased to be participating in Femme Folks Fest 2022.... Read More
Chris Reilly – Balancing Act
February 4, 2022Chris Reilly Balancing Act Untitled by Chris Reilly Chris Reilly is an artist whose works are about seeking balance while also... Read More
Lori Coulter – Diviner
January 27, 2022Lori Coulter Diviner this piece is tilted... loose page by Lori Coulter When you view Lori Coulter's work, it's almost as... Read More
Leslie Hossack | Ribbon of Tears No. 8
December 13, 2021Leslie Hossack | No. 8
Leslie Hossack is an Ottawa photographer who created this image as part of a series of 11 pieces reflecting on the devastation of residential schools.
Hossack describes these works as follows:
“These photographs are my response to the ongoing tragedy of Canadian residential schools. The compositions were inspired by memories of my own childhood – ribbons, crayons, kaleidoscopes, pinwheels. I felt cared-for and carefree. That is what I wish for every child.
I hope these images will provide a starting point for conversations about the history and legacy of residential schools – conversations building towards truth and reconciliation. Ribbon of Tears is dedicated to all those robbed of their childhood by residential schools.”
Artist’s Note: These photographs are not for sale commercially. However, prints can be ordered directly through Toronto Image Works at a cost of 30% off the list price.
More images by this artist can be enjoyed at her Instagram account here and at her website ~ Peppa Martin
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Heather Franklin | Flu
November 22, 2021Context is everything.
I first saw Flu, by Heather Franklin, in 2010. Heather, the Director of The Button Factory, Waterloo Ontario’s Community Arts Centre, made this drypoint print in 2006, drawn from a photo of three men during the Spanish Flu epidemic in 1918.
What drew me to the image was its strangeness. Three men, obviously out of doors (as indicated by the skewed horizon line, so likely to be farmers), in masks, facing an invisible, deadly threat. The title gave away the timeline and narrowed the reason for their masked anonymity to a necessity rather than a choice – they were not running from the law. But the masks still made them “others”, unrecognizable, in a situation I could not fathom. The print carried with it a sense of the uncanny, with a deep sense of foreboding.
In 2021, these men have become very knowable. They are us. They are simple people, dealing with a situation beyond their control in the simplest way they can. Now I find myself less concerned with the contagion swirling around them than with the economic straits they find themselves in, how their families are coping, whether or not they have lost loved ones. They have become human where once they were alien.
You can find more of Heather’s fine illustrations on her Instagram account @heathersphotophoto.
~ Mark Walton
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