In: Canadian
Maria Simmons – Fermentation of Ideas – Femme Folks Fest Special
March 17, 2022Maria Simmons Fermentation of Ideas The COVERT Collective is pleased to be participating in Femme Folks Fest 2022. Maria Simmons is an eclectic,... Read More
Laura Jones – A Life in Photography – Femme Folks Fest Special
March 16, 2022Laura Jones A Life in Photography ~ Laura Jones The COVERT Collective is pleased to be participating in Femme Folks Fest 2022.... Read More
Stéphany Gagnon – Cinéma / Cinema – Femme Folks Fest
March 15, 2022Stéphany Gagnon | Cinema
I am of an age where I remember receiving a copy of the Canadian Children’s Annual every year for christmas from my parents. I recently purchased a used copy of the 1976 version, the original lost long ago during a past relocation between cities. These books contained what were among the first artworks that I ever inteacted with… in 1975 with a cover by William Kurelek, in 1976 by Lynn Frank (Lynn Johnston of For Better or For Worse fame), in 1977 by Toller Cranston and in 1978 by Ken Danby. These were not lightweight artists. Each were on their way to becoming, or already were, prominent Canadian artists.
Leafing through, I was pleasantly surprised at the memories that were brought back by the illustrations in the book… I remembered every one of those images very clearly. Not only the images, but memories of the rooms, emotions and peoples that are forever tied to those images sprang my mind. It was an like instant recall machine.
The illustraions and paintings of Montreal’s Stéphany Gagnon seem to me to have a similar magic to them. Gagnon’s work is deeply personal, with great attention to detail. It can be ethereally dreamy, but also lucid dreamy, as shown by Cinéma (above) and Lemonade Stand (below). Both seem to tug at places in your brain, looking for memories to associate with them. They are in some sense, lost art, looking for a home.
You can view (and purchase) more of Stéphany’s work on her Instgram page @stephanylitchi.
~ Mark Walton
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Essay – Ron Hewson – Community Galleries
March 1, 2022Community Galleries
I’ve been putting a lot time and effort lately into a community gallery that I belong to. While doing this I’ve put some thought into why I feel it’s worth the effort. Here are some of my reasons to to belong to and participating in this endeavour.
I believe it’s important for local artists to have a place to hang their work. Putting my work on a wall in a public space means I feel that I have created something that is worthy of public display. This matters because the emotional investment in producing art needs that outlet. Showing in a gallery is the reward for the time and money put into our work. I know I would continue to work regardless of belonging to a gallery but knowing that I can share what I have made is incentive to keep working.
Belonging to the gallery means I have to finish things. Every couple months I need new framed finished work to display. As a photographer I can capture a vast number of images. However that really doesn’t mean anything if I don’t finish any of them. Sure I can do some quick editing and post them on Instagram or do some more careful work and post on a stock photo site but that’s not the same as taking the extra steps to print and frame something. The incentive to finish work is a big benefit of belonging to the gallery.
Preparing work for the community gallery on a regular basis is far less stressful that preparing for a major gallery show. I’ve done shows at “big” galleries. The thrill and sense of accomplishment that comes from that kind of show can’t be beat. But the investment in time and money can be overwhelming. Its not something that everyone is prepared to do or is willing to do and for most people its out of reach. The community gallery fills that need perfectly. It gives the opportunity to exhibit that is manageable for artists who want to exhibit without the stress of a solo show.
There are many other reason the gallery is worth my time such as the diversity of the art on display and the camaraderie of follow artists but what makes to gallery valuable to me is the incentive to keep working. I believe that everyone needs some form of incentive and that for me is to have my photography physically present in the world. While posting something online might get seen by lots of people we don’t paint or sculpt or create our art to be seen on a phone.
Visit uptowngallerywaterloo.com
~ Ron Hewson
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Alina Chirila – Femme Folks Fest 2022 Repost
March 13, 2022Alina Chirila is an experimenter. Never one to follow a rule book, she will learn the fundamentals of a process and then play with ingredients, timings and formulas until she gets exactly what she wants.
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Podcast: Ariane Plante s’entretient avec Marie France Cournoyer – Femme Folks Fest
March 10, 2022curated. co-editor and curator Peppa Martin interviews Canadian photographer Shira Gold. This podcastwas first published at thecommotion.ca
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Laura Jones
March 8, 2022Laura Jones A life of work: Activism and advocacy through the lens of a camera Baldwin Street Gallery Photographer, community activist,... Read More
Chris Reilly – Balancing Act
February 4, 2022Chris Reilly Balancing Act Untitled by Chris Reilly Chris Reilly is an artist whose works are about seeking balance while also... Read More
Xiaojing Yan
February 1, 2022Stepping into an exhibition by artist Barry Ace is a transformative experience. The bold colour palette, the textural combination of materials, and the meticulous attention to detail quickly captivates you. The entanglements of these elements reveal unique narratives that change the lens through which we see others. Suzanne Luke offers some thoughts on the art an ideas of Barry Ace in this article.
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Lori Coulter – Diviner
January 27, 2022Lori Coulter Diviner this piece is tilted... loose page by Lori Coulter When you view Lori Coulter's work, it's almost as... Read More
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